الاستلاب الفني الدين، الثورة، الفن... لتدمير الفن

In its ancient and modern history, art has always clashed with prevailing regimes, even revolutionary ones. He also clashed with the art schools themselves, which wanted to restrict him within frameworks that would lead him to alienation, in the context of a transformation that ends with the artist becoming alienated from himself, losing his identity, and denying himself. This book accompanies the process of artistic appropriation since ancient times and during the stages of modernity and post-modernism until today. It also reveals the bourgeoisie's confiscation of every artistic activity according to its interests, and the positions of thinkers, writers, and philosophers on this issue, each according to its starting points and orientations. The artist's salvation remains, according to Dr. Al-Amin is in his love of his art and his self-esteem, so that he can resist all the systems, theories and dictates that oppress him and pull him back, in a confrontation that, when it is about to end, will flare up again.